Francisco Miralles y Galup (1848 – 1901)
Inscribed on reverse
Oil on Canvas
28 x 34in (71 x 86cm)
FULLY RECORDED AND ILLUSTRATED IN THE CATALOGUE RAISONE.
Born in Valencia, Miralles moved to Paris in 1866 to study under Arturo Canela. The well-known French dealer, Adolphe Goupil, also promoted Miralles and greatly assisted in the growing popularity of his work. Miralles exhibited regularly at the Paris Salons, at the Sala Parés in Barcelona, and in numerous international exhibitions in London, Berlin and America.
During this time, Miralles painted scenes of Parisian society at leisure, often enjoying a picnic, an outing to the seashore, or a day at the races. Many of the most popular artists of the time – Monet, Boudin and Courbet – brought their canvases to the fashionable beach of Trouville where ladies dressed in their best finery and gathered to have their portraits painted against the sea.
The Parisian ladies with their parasols, gloves and feathered hats were consciously distinguishing themselves from the local, rural populace. Robert Herbert describes the social scene, “The underlying complexity of this conception of decorous leisure is exposed by the parasol, that curious device to protect middle- and upper-class women from the effects of natural sunlight and therefore their social standing from that of fisher-women and peasants” (Herbert, Robert, Monet on the Normandy Coast, New Haven, Yale University Press, 1994, p. 58).
While the outdoor setting endows the picture with a spontaneous feel, the colours are well balanced with a bold, Manet-like use of paint. The painting is an excellent example of 19th century society’s desire to see it immortalized on canvas.
Selected Museum Collections:1
Museu d’Art Modern de Barcelona; Musée Carnavalet, Paris;